Summary of How Music Got Free

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8 Overall

7 Applicability

8 Innovation

8 Style


Journalist Stephen Witt tracks the history of the mp3 music player from its invention to its adaptation as a standard feature of daily life. Witt frames his tale through the prism of two men’s careers: record executive Doug Morris and pioneering pirate music uploader extraordinaire Bennie Lydell Glover. One man made millions off the changing habits of people who listen to popular music; the other served those habits faithfully and wound up in jail. Witt’s story comes most alive when he goes into the disparities between Morris’s and Glover’s lives – privilege, race, earnings and impact – as his narrative goes back and forth between them. Except for those deeply vested in these worlds, the story can sometimes be hard to follow, such as when Witt dissects the arcane politics, specifications and lab obsessions involved in the development of digital music formats. The technically uninterested should skim just those early pages; the rest is as totally satisfying as a good album. getAbstract recommends Witt’s reportage to investors, social historians, music lovers, and anyone interested in what drives the profit-and-loss-of-selling culture in the digital age.

In this summary, you will learn

  • How the mp3 changed the music industry,
  • How record companies responded to music downloading,
  • How networks of hackers and uploaders fueled music sharing, and
  • How law enforcement and civil suits ended free music sharing.

About the Author

Journalist Stephen Witt has worked for hedge funds and has written for The New Yorker.



The Birth of the mp3

Eberhard Zwicker, the creator of “psychoacoustics” – the study of how people “perceive sound” – discovered that the ear is not “a microphone.” It adapted through evolution to understand and translate language and to give early humans first warnings of predators. Zwicker also learned that the human ear can’t distinguish between tones that are close in pitch. These discoveries led engineer Dieter Seitzer to realize that he might capture “high-fidelity” music – music recorded with a broad frequency range to seize every possible high and low – with much less data than once seemed necessary.

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    Henry Howe 3 months ago
    I would also add that it was Apple's system of using an interface such as iTunes to manage their iPods (other players didn't have this ability, initially) that led to the iPod being the number one seller of mp3. The iTunes store took that to the next level.

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