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The Invention – and Reinvention – of Impeachment

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The Invention – and Reinvention – of Impeachment

It’s the ultimate political weapon. But we’ve never agreed on what it’s for.

The New Yorker,

5 min read
4 take-aways
Audio & text

What's inside?

The dearth of precedent makes impeachment an unpredictable political beast. 


Editorial Rating

9

Qualities

  • Eye Opening
  • Background
  • Concrete Examples

Recommendation

Impeachment is an unpredictable political process, not least because of a dearth of precedent. In this study of the history of impeachment, historian Jill Lepore provides much-needed perspective on modern-day impeachment debates. Lepore explores why impeachment became a part of American politics, how past impeachments have defined – or attempted to redefine – what is or is not an impeachable offense, and the ways increased partisanship has rendered impeachment proceedings both more common and less effective than ever before.

Summary

The English invented impeachment as a legal tool to curtail the power of kings.

In 1376, the English Parliament invented impeachment as a tool for dismissing ministers executing orders from the King which parliament deemed unacceptable. Impeachment served as an indirect check on monarchial power, as there was no mechanism for Parliament to get rid of their ruler directly.

Yet Parliament was able to use the tool of impeachment only on rare occasions, particularly since Parliament was only in session at the request of the King – and a king wouldn’t summon Parliament if there were reasons to believe that it would impeach royal ministers. In the 17th century, Edward Coke, a Member of Parliament and legal thinker, successfully argued that the Magna Carta of 1215 established parliamentary supremacy and that Parliament was not only free to convene whenever it wanted to, but that it also had the right to impeach ministers when warranted. Yet after England became a constitutional monarchy by putting legal limits on the power of the monarch, impeachment became...

About the Author

Jill Lepore is Professor of American History at Harvard University and a staff writer at The New Yorker


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